How The Soldier Repairs The Gramophone

Author: Sasa Stanisic
Publisher: Hachette UK
ISBN: 0297855743
Size: 44.33 MB
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Aleksandar is Comrade-in-Chief of fishing, the best magician in the non-aligned States and painter of unfinished things.

The Gramaphone Company S First Indian Recordings 1899 1908

Author: Michael S. Kinnear
Publisher: Popular Prakashan
ISBN: 9788171547289
Size: 65.98 MB
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This series of forty-four Oriental recordings is believed to have been taken by
Fred Gaisbert during the early months of 1899, in the basement studios of The
Gramophone Company's offices at 31 Maiden Lane, Strand, London. Whilst the
details of the Russian 110OO series are known, including the matrix numbers
and dates of recording, similar information about the Oriental 1OOOO series and
the solitary Chinese recording numbered 105OO has apparently been lost to

Electric Shock

Author: Peter Doggett
Publisher: Random House
ISBN: 144813031X
Size: 52.14 MB
Format: PDF, ePub
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Ambitious and groundbreaking, Electric Shock tells the story of popular music, from the birth of recording in the 1890s to the digital age, from the first pop superstars of the twentieth century to the omnipresence of music in our lives, in ...

The Glyph And The Gramophone

Author: Luke Ferretter
Publisher: A&C Black
ISBN: 1441124357
Size: 73.17 MB
Format: PDF
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The gramophone in Lawrence's work is a symbol of the emptiness of modern
speech, of modern culture and of the modern life of which it is an expression. He
complained of his college professors, 'I might as well be taught by gramophones
as by those men, for all the interest or sincerity they felt' (L 1:72). In empty modern
marriages, 'the marriage is made to music, the gramophone and the wireless
orchestrate each small domestic act' (LEA 44). In 'Let us be men—', Lawrence
says: For ...

Rights Affecting The Manufacture And Use Of Gramophone Records

Author: W. Mak
Publisher: Springer Science & Business Media
ISBN: 9401508410
Size: 65.25 MB
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Now there was inthe early daysofthe gramophone a pronounced difference
insound quality between a “live” performance andone obtained by meansofa
gramophone record. In its commencement the gramophone did therefore not rise
abovethe levelof an attractivetoy with which people could be entertained in
thehome, or,if needed, at a partybut itcould never,noteven remotedly, comeupto
thatof a “live” musical performance, because ofwhich the performingartists of
thesedaysdid not ...