The Audible Past

Author: Jonathan Sterne
Publisher: Duke University Press
ISBN: 9780822330134
Size: 71.24 MB
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He's come here to give us the lowdown on how the technology evolved. Think of the book as a kind of sonic map of the origins of the way we listen to things around us, as a primer for the sonically perplexed."--Paul D. Miller a.k.a.


Author: Jonathan Sterne
Publisher: Duke University Press
ISBN: 0822352877
Size: 53.20 MB
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Jonathan Sterne shows that understanding the historical meaning of the MP3, the world's most common format for recorded audio, involves rethinking the place of digital technologies in the broader universe of twentieth-century communication ...

Wissensgeschichte Des H Rens In Der Moderne

Author: Netzwerk "Hör-Wissen im Wandel"
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110523728
Size: 15.12 MB
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... in seiner wegweisenden Studie The Audible Past. Cultural Origins of Sound
Reproduction die weitverbreiteten Annahmen über das Hören in Abgrenzung
zum Sehen – wonach das Hören zu jeder Zeit und an jedem Ort als sphärisch gilt
, während das Sehen stets direktional sei, das Hören Nähe, das Sehen Distanz
erzeuge, das Hören die Emotionen, das Sehen den Intellekt privilegiere etc. – als
‚audio-visuelle Litanei' bezeichnet.4 Mit Sterne lässt sich argumentieren, dass
diese ...

Kultur Von Den Cultural Studies Bis Zu Den Visual Studies

Author: Stephan Moebius
Publisher: transcript Verlag
ISBN: 3839421942
Size: 50.63 MB
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Popscriptum 16 (2008), H. 10, Forschungszentrum Populäre Musik Humboldt-
Universität zu Berlin 2008,
Schulze.htm. 36 | Papenburg, Jens, »Hörgeräte. Zur Psychomathematik des
akroamatischen Leibniz«, in: Axel Volmar (Hg.), Zeitkritische Medienprozesse,
Berlin 2009, S. 367-381. 37 | Sterne, Jonathan, The Audible Past. Cultural
Origins of Sound Reproduction, Durham/ London 2003, S. 13; vgl. auch seine
ultimative Deutung ...

The Sound Studies Reader

Author: Jonathan Sterne
Publisher: Routledge
ISBN: 0415771307
Size: 40.17 MB
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The collection begins with an introduction to welcome novice readers to the field and acquaint them with key themes and concepts in sound studies.

Living Stereo

Author: Paul Théberge
Publisher: Bloomsbury Publishing USA
ISBN: 1623565510
Size: 36.32 MB
Format: PDF
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“The Theory of Binaural Audition: A Contribution to the Theory of Sound.”
Philosophical Magazine 7, series 5 (January–June): 181–97. Sterne, J. 2001. “A
Machine to Hear for Them: On the Very Possibility of Sound's Reproduction.”
Cultural Studies 15(2): 259–94. —2003. The Audible Past: Cultural Origins of
Sound Reproduction. Durham: Duke University Press. —2012. MP3: The
Meaning of a Format. Durham: Duke University Press. —2013. “Reverb and the
History of Perspective.

Sounds In Translation

Author: Amy Chan
Publisher: ANU E Press
ISBN: 1921536551
Size: 38.92 MB
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Subsequent volumes have taken up this challenge: Wireless Imagination: Sound,
radio and the avant-garde (Kahn and Whitehead 1992), The Soundscape of
Modernity: Architectural acoustics and the culture of listening in America, 1900–
1933 (Thompson 2002), The Audible Past: Cultural origins of sound reproduction
(Sterne 2003), Sound Matters: Essays on the acoustics of modern German
culture (Alter and Koepnick 2004) and Hearing Cultures: Essays on sound,
listening and ...

Against Ambience

Author: Seth Kim-Cohen
Publisher: Bloomsbury Publishing USA
ISBN: 1628921366
Size: 55.26 MB
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... whichclosedon July 28, 2013, smack dabin the middleof the three months
under discussion here. This type of work, which Iwill deal with asone plank in the
platform ofthe ambient,is more troubling thanopart because, knowingly ornot, it
avails itself of the traitsof sound, as sound is typically construed. This construal is
multifarious. Some of its assumptions are more stubbornly attached to sound than
others. In The Audible Past: Cultural Origins of Sound Reproduction, Jonathan
Sterne ...

Agustin Lara

Author: Andrew Grant Wood
Publisher: Oxford University Press
ISBN: 0199976740
Size: 49.55 MB
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397–432. One of the best recent treatments of Mexican cultural nationalism can
be found in John Mraz, Looking for Mexico: Modern Visual Culture and National
Identity (Durham, NC: Duke University Press, 2009). 9. On nineteenthcentury
innovations in sound technology see Jonathan Sterne, The Audible Past: Cultural
Origins of Sound Reproduction (Durham, NC: Duke University Press, 2003).
Rubén Gallo champions the 1920s as the dawning of Mexican modernity and
focuses on ...

Articulate Objects

Author: Aura Satz
Publisher: Peter Lang
ISBN: 9783039107476
Size: 77.38 MB
Format: PDF, ePub, Mobi
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... 1993); Michel Chion, The Voice in Cinema (New York: Columbia University
Press, 1999) and Steven Connor, Dumbstruck: A Cultural History of
Ventriloquism (Oxford: Oxford University Press, 2000). 2 For a study on these
developments, see Jonathan Sterne, The Audible Past Cultural Origins of Sound
Reproduction (Durham and London: Duke University Press, 2003). cope with
them.3 He also had an eye and ear Jon Wood With Hidden Noise: Sculpture,
Video and Ventriloquism.