The Computer Music Tutorial

Author: Curtis Roads
Publisher: MIT Press
ISBN: 9780262680820
Size: 36.81 MB
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This text provides a step-by-step introduction to the entire field of computer music techniques.

The Oxford Handbook Of Computer Music

Author: Roger T. Dean
Publisher: Oxford University Press
ISBN: 0199887136
Size: 40.47 MB
Format: PDF, Docs
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Rethinking the computer music language: SuperCollider. Computer Music
Journal 26(4): 61–68. McLuhan, M. 1964. Understanding Media: The Extensions
of Man. Cambridge: MIT Press. Miranda, E. R., and M. Wanderley. 2006. New
Digital ... Roads, C. 1996a. The Computer Music Tutorial. Second printing (pbk.).
Cambridge: MIT Press. Roads, C. 1996b. Early electronic music instruments:
Time line 1899–1950. Computer Music Journal 20(3): 20–23. Roads, C. 2001.
Microsound.

Electronic And Computer Music

Author: Peter Manning
Publisher: Oxford University Press
ISBN: 0199746397
Size: 25.87 MB
Format: PDF, Mobi
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Roads, Curtis. Composers and the Computer. Los Altos, CA: W. Kaufmann, 1985.
Roads, Curtis, ed. Music Machine. Cambridge, MA: MIT Press, 1989. Roads,
Curtis, ed. The Computer Music Tutorial. Cambridge, MA: MIT Press, 1996.
Roads, Curtis, and John Strawn eds. Foundations of Computer Music.
Cambridge, MA: MIT Press, 1987. Rothstein, Joseph. MIDI: A Comprehensive
Introduction. Madison, WI: A-R Editions, 1992. Schaeffer, Pierre. À la recherche d'
une musique concrète.

Music A Mathematical Offering

Author: Dave Benson
Publisher: Cambridge University Press
ISBN: 0521853877
Size: 66.13 MB
Format: PDF, Docs
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Current Directions in Computer Music Research, MIT Press. Reprinted 1991.
Brian C. J. Moore, 1997. Psychology of Hearing, Academic Press. ... Second edn,
Macmillan. Dover, 1945. Curtis Roads, 1989. The Music Machine. Selected
Readings from Computer Music Journal, MIT Press. Curtis Roads, 1996. The
Computer Music Tutorial, MIT Press. Curtis Roads, 2001. Microsound, MIT Press.
Curtis Roads, Stephen Travis Pope, Aldo Piccialli and Giovanni De Poli (eds.),
1997. Musical ...

Introduction To Computer Music

Author: Nick Collins
Publisher: John Wiley & Sons
ISBN: 0470714557
Size: 33.18 MB
Format: PDF, ePub, Mobi
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In Wilson, R. A. and Keil, F. (eds), The MIT Encyclopedia of the Cognitive
Sciences, pp. 841–3. MIT Press, Cambridge, MA. Potter, K., Wiggins, G. and
Pearce, M. (2007). Towards greater objectivity in music theory: Information-
dynamic analysis of minimalist music. Musicae Scientiae, 11(2):295–322. Preece
, J., Sharp, H., Benyon, D., Holland, S. and Carey, T. (1994). Human–Computer
Interaction. Addison-Wesley, Wokingham, UK. Prendegast, M. (2003). The
Ambient Century.

Evolutionary Computer Music

Author: Eduardo Reck Miranda
Publisher: Springer Science & Business Media
ISBN: 1846285992
Size: 35.40 MB
Format: PDF, Docs
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Computer Music Journal, 6(4): 10–21. Roads, C. (1985). Granular synthesis of
sound. In C. Roads and J. Strawn (Eds.),Foundations of Computer Music. MIT
Press, Cambridge, MA, pp. 145–159. Roads, C. (1991). Asynchronous granular
synthesis. In G DePoli, A. Piccialli and C. Roads (Eds.), Representations of
Musical Signals. MIT Press, Cambridge, MA, pp. 143– 186. Roads, C. (1996).
The Computer Music Tutorial. MIT Press, Cambridge, MA. Schatter, G., Z ̈uger,
E. and Nitschke, ...

Processing

Author: Casey Reas
Publisher: MIT Press
ISBN: 0262182629
Size: 39.61 MB
Format: PDF, ePub, Mobi
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MIT Press, 2001. Theberge, Paul. Any Sound You Can Imagine: Making Music /
Consuming Technology. Wesleyan University Press, 1997. Supper, Martin. “A
Few Remarks on Algorithmic Composition.” Computer Music Journal 25:1 (2001).
Winkler, Todd. Composing Interactive Music: Techniques and Ideas Using Max.
MIT Press, 1998. Roads, Curtis. The Computer Music Tutorial. MIT Press, 1996.
Roads, Curtis. Microsound. MIT Press, 2002.

Berkshire Encyclopedia Of Human Computer Interaction

Author: William Sims Bainbridge
Publisher: Berkshire Publishing Group LLC
ISBN: 0974309125
Size: 58.35 MB
Format: PDF, ePub, Mobi
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San Francisco, CA: International Computer Music Association. Franklin, J. (2002).
Improvisation and learning. In T. Dietterich, S. Becker,& Z.Ghahramani (Eds.),
Neural information processing systems (NIPS) 14. Cambridge, MA: MIT Press.
Fry, C. ... The computer music tutorial. Cambridge, MA: MIT Press. Rowe,R.(1993)
.Interactive music systems.Cambridge,MA:MIT Press. Thom, B. (2003). Interactive
improvisational music companionship:A user-modeling approach. User Modeling
and ...

Designing Sound

Author: Andy Farnell
Publisher: MIT Press
ISBN: 0262288834
Size: 13.65 MB
Format: PDF, ePub, Docs
View: 1199
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... Tips, and Techniques for Digital Audio. A. K. Peters. Kahrs, M., and
Brandenburg, K. (eds.) (1998). Applications of Digital Signal Processing to Audio
and Acoustics. Kluwer. Moore, F. R. (1990). Elements of Computer Music.
Prentice Hall. Pohlmann, Ken C. (1995). Principles of Digital Audio, (3rd ed.)
Mcgraw-Hill. (Essential reading.) Puckette, M. (2007). The Theory and Technique
of Electronic Music. World Scientific. Roads, C. (1996). The Computer Music
Tutorial. MIT Press. Roads ...

The Csound Book

Author: Richard Charles Boulanger
Publisher: MIT Press
ISBN: 9780262522618
Size: 15.27 MB
Format: PDF, ePub, Docs
View: 4460
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Wesleyan University Press. Chadabe, J. 1997. Electric Sound: The Past and
Promise of Electronic Music. New York: Prentice-Hall. De Poli, G., A. Piccialli, and
C. Roads. 1 99 1 . Representations of Musical Signals. Cambridge, Mass.: MIT
Press. De Poli, G., A. Piccialli, S. T. Pope, and C. Roads. 1997. Musical Signal
Processing. The Netherlands: Swets and Zeitlinger. Dodge, C., and T. Jerse.
1997. Computer Music. 2d rev. New York: Schirmer Books. Eliot, T. S. 1971. Four
Quartets.