What To Listen For In Music

Author: Aaron Copland
Publisher: Penguin
ISBN: 9780451531766
Size: 27.71 MB
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Featuring an introduction by William Schuman, as well as a foreword and epilogue by Alan Rich, an indispensable guide from one of America's foremost composers teaches readers how to develop a deeper sense of musical appreciation. Reissue.

Das Ist Bei Uns Nicht M Glich

Author: Sinclair Lewis
Publisher: Aufbau Digital
ISBN: 3841213731
Size: 29.15 MB
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Literaturnobelpreisträger Sinclair Lewis hat es vor 80 Jahren durchgespielt.“ DIE ZEIT „Sinclair Lewis ist wieder aktuell.“ der Freitag „Ein Meister des absoluten Realismus.

The Teaching Of Instrumental Music

Author: Richard Colwell
Publisher: Routledge
ISBN: 131721272X
Size: 69.55 MB
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Lauderdale, FL: Meredith Music, 71–73. 3. Newell, D. Bach and Before for Band,
Vols I and II; Bach and Before for Strings. San Diego, CA: Neil A. Kjos Music. 4.
Clark, L. (ed.). The New Bennett Band Book, Vols. I and II. New York: 5. 6. 7. 8. 9.
10. 11. 12. Carl Fischer Music. Copland, A. (2002). What to Listen for in Music.
New York: Signet Classics. Ratliff, B. (2016). Every Song Ever: Twenty Ways to
Listen in an Age of Musical Plenty. New York: Farrar, Straus and Giroux. Eberle,

Handbook Of Research On Methods And Techniques For Studying Virtual Communities Paradigms And Phenomena

Author: Daniel, Ben Kei
Publisher: IGI Global
ISBN: 160960041X
Size: 72.57 MB
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Stanford: CSLI Publications. Copland, A. (2002). What to Listen For in Music.
Signet Classics. Costa, J., & Ferrone, L. (1995). Sociocultural perspectives on
tourism planning and development. International Journal of Contemporary
Hospitality Management, 7(7), 27–35. doi:10.1108/09596119510101903 Donath,
J. S. (1999). Identity and Deception in the Virtual Community. In Smith, M., &
Kollack, P. (Eds.), Communities in Cyberspace (pp. 29–59). New York: Routledge
. Duval Smith, A.

Composers Voices From Ives To Ellington

Author: Vivian Perlis
Publisher: Yale University Press
ISBN: 0300138377
Size: 60.37 MB
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“Aaron Copland at 70: An Intimate Sketch.” In Findings. New York: Simon and
Schuster, 1982; rpt. New York: Anchor, 1993. Copland, Aaron. “Jazz Structure
and Influence.” Modern Music 4, no. 2 (January–February 1927), 9–14. ———.
Music and Imagination. Cambridge: Harvard University Press, 1952. ———.
What to Listen for in Music. 1939; rpt. New York: Signet Classics, 2002. Copland,
Aaron, and Vivian Perlis. Copland: 1900 Through 1942. New York: St. Martin's/
Marek, 1984.

The Rest Is Noise

Author: Alex Ross
Publisher: Piper ebooks
ISBN: 3492965326
Size: 36.63 MB
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Alex Ross, Kritiker des »New Yorker«, bringt uns aus dem Wien und Graz am Vorabend des Ersten Weltkriegs ins Paris und Berlin der Goldenen Zwanzigerjahre, aus Hitler-Deutschland über Russland ins Amerika der Sechziger- und Siebzigerjahre ...

Loving The Tasmanian Devil

Author: Maureen McCarthy Bartlett
Publisher: AAPC Publishing
ISBN: 9781934575819
Size: 27.93 MB
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What to listen for in music. New York, NY: Signet Classics. Covey, S. (2004). The
7 habits of highly effective people. New York, NY: Free Press. Gardner, H. (1994).
Creating minds: An anatomy of creativity as seen through the lives of Freud,
Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi. New York, NY: Basic
Books. Jacobs, J. (2001). The nature of economies. New York, NY: Vintage
Books. Kuhn, T. (1996). The structure of scientific revolutions. Chicago, IL:
University of ...


Author: Nancy Duarte
Publisher: John Wiley & Sons
ISBN: 1118008936
Size: 46.76 MB
Format: PDF, ePub
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23.24. 25. Freedman, Russell. Martha Graham: A Dancer's Life. New York:
Clarion Books, 1998. 18. YouTube video transcription. http://www.youtube.com/
watch? v=Pb4-kpCIZns. 21. 22. Acocella, Joan. “Martha Graham on Film.” From:
Martha Graham Dance on Film DVD. Criterion Collection, 2007. 26. Guber, Peter.
“The Four Truths of the Storyteller.” Harvard Business Review. December 1, 2007
. CODA 1. Copeland, Aaron. What to Listen for in Music. New York: Signet
Classic, 1985.

Meet Your Artistic And Athletic Mind

Author: Mark Abraham
Publisher: Xlibris Corporation
ISBN: 145682533X
Size: 29.82 MB
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Vitality, Energy Spirits, a Taoist Source Book, Thomas Cleary, Shambhala, 1995
War Between Russia and China, Harrison E. Salisbury Norton, 1969 What Is Art?
Leo Tolstoy Hackett 1996 What to Listen to in Music Aaron Compland First Signet
, Classic Printing 2002 When God Was a Woman, Merlin Stone, A Harvest/HBJ
Book 1976 Women and Male Violence, The Vision and struggles of the Battered
Women's Movement Susan Schechter, South End Press 1982 Women and War, ...

Mathematics And Music

Author: James S. Walker
Publisher: CRC Press
ISBN: 1439867097
Size: 52.66 MB
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The terminology comes from the use of a pedal in organ music to hold a note,
typically a low bass note, through long stretches of music. It is important that the
pedal note in this example is the tonic. 15Here is an interesting comment by the
composer, Aaron Copland, in this regard: “Music would be dull indeed if
composers were not able to disguise, vary, and adorn the bare harmonic frame” (
A. Copland, What to Listen for in Music, p. 56, Signet Classic, 2002). 168. Kostka
and D. Payne, ...